Similarly, when done well, digital characters animated using facial expressions captured from humans bring home Oscars and Oscar nominations for best visual effects and drive box-office success: Davy Jones created at Industrial Light & Magic for Pirates of the Caribbean: Dead Man’s Chest (2006) and the Na’vi created at Weta Digital in Avatar (2009) gave those studios Oscars for best visual effects. We’ve seen the results in film – from the first major attempt to reproduce actors’ faces in Final Fantasy (2001), through Robert Zemeckis’ body of work from The Polar Express (2004) through Beowulf (2007) created at Sony Pictures Imageworks, to A Christmas Carol (2009) from ImageMovers Digital.Īlso in 2009, Digital Domain’s performance of the digital, aged version of Brad Pitt created for The Curious Case of Benjamin Button (2008) helped that film receive an Oscar nomination for best picture and brought home an Oscar for best visual effects.
CaraPost software creates a 3D point-cloud representation of the marker positions. THE FOUR CAMERAS attached to the head rig in Vicon’s Cara system capture the markers.
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